Category Archives: Saturday with the Spark

Creative pursuits and life-related happenings.

Songs to Inspire the Creative Impulse

When I’m feeling generally down or just not inspired to create anymore, sometimes I use music to help me get back some of those drained creative juices. So I’ll turn on a little music to make me happy, or some music that makes me want to achieve the same kind of beauty I’m hearing. It always works–sooner rather than later, my mood is lifted and my Muse is hard at work again.

Here’s a short playlist of songs that work for me, to make me happy and excited about music all over again. Listen through and enjoy!

Songs for a Happy, Inspired Creator


Flashdance (What a Feeling) – Irene Cara


Uptight (Everything’s Alright) – Stevie Wonder


Shout – The Isley Brothers


The Touch – Stan Bush (from Transformers)


(I’ve Had) The Time of My Life – Bill Medley and Jennifer Warnes (from Dirty Dancing)


When Love Takes Over (feat. Kelly Rowland) – David Guetta


How Will I Know (Junior Vasquez Mix) – Whitney Houston


Let’s Get Loud – Jennifer Lopez


That’s the Way It Is – Celine Dion


Pyramid (Dave Aude Radio Edit) – Charice


Somewhere Only We Know – Keane

Songs to Make Me Want to Sing and Play


Bloody Tears from Castlevania II: Simon’s Quest (performed by Rey Tang on Youtube)


Lux Aurumque – Eric Whitacre’s YouTube Choir


To Zanarkand (from Final Fantasy X) – Final Fantasy Orchestra


Saltwater – Chicane


Speak Softly Love – City of Prague Philharmonic Orchestra


Radical Dreamers (Instrumental) – Yasunori Mitsuda (from Chrono Cross)


All I Ask of You (from Phantom of the Opera) – Sarah Brightman and Cliff Richard


Water World Theme (from Super Mario 64) – Koji Kondo


The Call – Regina Spektor


Before Dawn – Isaac Shepard


I giorni – Ludovico Einaudi

In Remembrance: My Music Teacher

Last Friday, my music teacher, Mrs. Myrtle Mashburn, passed away at the age of 97, having taught more than seven decades’ worth of piano and voice pupils over her long career of teaching and enjoying music.

As one of those many students, I came to the visitation and the funeral flooded with memories of my eight years spent studying piano and voice with her during my elementary, middle, and high school years. And I thought: “What better way to honor her publicly than to write about her impact on my life in my weekly “creativity” article?”

How I Met Mrs. Mashburn

This amazing lady not only taught me piano and voice, but she had also taught my dad to play the piano 40 years earlier. When I was a kid and beginning to show interest in learning to play the piano, Mrs. Mashburn was the first person my dad thought of, and we were all pleasantly surprised to find that she was still teaching piano and voice at the age of 79.

So my first memories of Mrs. Mashburn came down to me through Dad’s retellings, even before I met her officially. Dad remembered her as an energetic, encouraging younger teacher; the lady I met was simply a white-haired version of that unbeatable spirit, showing her joy in music not only by playing it herself, but by teaching others how to play and enjoy it as well.

As a girl of 10, I couldn’t wrap my mind around the fact that she was so “old” by the world’s standards, and yet seemed no older than my parents. But that was Mrs. Mashburn’s personality–the years just didn’t seem to affect her mind or her hands, even as they affected the rest of her health a rare few times. She maintained a lively (and fairly large) group of private piano and voice students every year, even into the summers, and held recitals at the end of every school year.

Favorite Memories

Mrs. Mashburn recognized from the beginning that I had a good ear for music, but when she discovered I was relying on that ear a little too much and not learning how to read music properly, she sought to fix that, working with me on really learning how each note was written on the page. Even though I disliked trying to read the notes off the page at first (it was so much slower than just hearing the music and playing it back), she reminded me that if I didn’t learn these notes, I would always be dependent on someone else to play the music for me first. “You learned to read books quickly–your parents told me–so I know you can learn to read music just as easily,” she said, without a shred of doubt in her voice.

That certainty never wavered, even as I grew up and sometimes got out of the habit of practicing as much as I should have. Another of my favorite memories comes from a practice session in which I royally screwed up a difficult piece of music, and a curse word slipped out before I was aware I had spoken. I realized what I’d said a half-second later, and in the middle of apologizing all over myself, she burst into laughter, saying, “It’s nothing I haven’t heard before! Just start back at measure 38 and go from there–it’s all right.” She was great at handling mistakes, even off the keys. 🙂

The yearly recitals Mrs. Mashburn held generated another memory; one of the youngest piano students froze up during a recital and couldn’t get past a certain part of the piece she was trying to play. She tried a couple of times, and she looked like she was about to cry, and then Mrs. Mashburn came up and whispered something to her. I don’t know what it was, but the little girl’s face brightened, and she started the piece again–this time finishing it! The situation could have been so awkward, but somehow, Mrs. Mashburn knew what to say so that she would encourage and not embarrass the little girl. It was a sweet moment, and one that brings tears to my eyes remembering it. :’)

I remember that we always had a good mix of ages at recitals–there were always students who were just beginning, some who were fairly far along but still learning, and then the about-to-graduate crowd who were already so awesome. 🙂 Though we often didn’t see each other much except for at recitals, Mrs. Mashburn always encouraged us to be supportive of each other and helpful. Even when her health began to fail (arthritis, especially), she never seemed to hesitate in taking on a new student and working with him or her to teach them the same joy of music that she felt. And believe me, each of us students understood how wonderful music could be when she taught it!

What I’ll Miss Most

In a very real sense, Mrs. Mashburn brought together a little mini-community of music students and performers, across the decades. At her funeral on Monday, two-thirds of the 100+ people present were her former students, ranging in age from early twenties to mid-seventies (at least!)–we were all bound together by the music and the life of this one woman, who had guided us in how to play music, as well as encouraging us in our own personal studies of music. I don’t know if anybody else could do what she did…she was remarkable.

I’ll miss her dedication and joy the most, though I know she’s gone back to accompany the angels in their hymns. I hope I’ve done her life credit; to be caught up in that energy and love of music, even for a short while, made such a wonderful difference in my life. Thank you, Mrs. Mashburn, for giving us all that gift. 🙂

Repurposing: Creativity at Work

When you clean out cluttered spaces, as I’ve been doing for the last four weeks, inevitably you end up finding items that you haven’t used in a while, or don’t need for their original purpose anymore.

But, instead of spending a ton of money re-buying things you think you need, you might be able to keep more of your money in your pocket by repurposing all the surprising treasures you’ve uncovered. This is where creativity comes into play–it’s an unusual outlet for creativity, I grant you that, but if it saves you money in the long run, why not try a few of these tips?

Step 1: Quick-Evaluate Every Item

While you’re cleaning out, give every item you find a once-over, and mentally answer the following questions:

  • Is it warped/broken beyond repair?
  • Is it too dirty to ever think of using it again?
  • Is it unable to be cleaned/sanitized?

These are “deal-breaker” conditions for repurposing. If it’s too broken or dirty, it may be better to just throw it out instead of wasting time trying to save it. (Trust me, sometimes it’s just not worth the effort…LOL)

However, if you run across an item that doesn’t meet any of this criteria, set it aside (preferably in a different room so you don’t accidentally throw it away) and keep working. Once you’re finished sorting clutter, come back to your gathered items for Step 2.

Step 2: What Could This Item Be?

Now for a little bit more evaluation–this time, you’re studying each item a little more closely. If you no longer want to use it for its original purpose, what could it be instead?

To jump-start your own “thinking-outside-the-box” repurposing process, here’s a couple of repurposing examples from my own cleanout sessions:

Example #1: The Towel Rack Turned Scrunchie Holder


I found this brushed-metal standing fingertip towel rack on clearance at Walmart and bought it, but it sat unused for a while…that is, until I realized I needed a way to display my hair scrunchies without having them strung all over the place.


I needed something to thread them on, something that was sturdy enough to hold them all but didn’t require me to dig through a box to find them. (This pic shows only a small sample of how many scrunchies I have…yes, I’m a child of the ’90s, why do you ask? LOL)


I’m aware that the terrible quality of this pic makes this look like a clown wig gone mad (LOL)…but this is actually how the towel rack looks with all my scrunchies threaded onto it. It works great for organization, looks nifty in the bathroom, and keeps all my scrunchies from getting lost/dirty.

Example #2: The Spice Rack Turned Perfume/Lotion Display


When I redid my bathroom organization, I ended up with a lot of perfume and lotion bottles, and nowhere to store them–or, should I say, no attractive way to store and display them. On a hunch, I went and bought this painted-metal spice rack from Walmart, noting that it had three stacking levels which left a little room for items underneath.


…And here’s the way it functions in my bathroom, holding all the perfume and lotion bottles I own. The graduated levels mean that I’m no longer trying to reach around several bottles to get to one; the bit of storage space underneath serves to tuck away countertop necessities when I need to.

Step 3: Prepare the Item for Its New Life

After you’ve figured out what you want the item to become, clean it up (dust, sanitize, etc.) and make sure it won’t break or come apart when it’s being used for its new purpose. The cleaning/sanitizing part is very important–you don’t want your “new” item making you sick! Also, if it’s got any small pieces that could pop off unexpectedly, check those and make sure those are reinforced. No need for any unpleasant surprises when you’re using your newfound item!

Once you’ve cleaned it up and made sure it’s tough enough to withstand a second life, you’re ready to put your old-new item to work! 😀

Summary

Cleaning and decluttering doesn’t have to mean that you’re throwing away everything. In fact, if you repurpose a few things as you clean and declutter, you can save yourself the trouble of having to re-buy materials in the first place. Always a good thing when you can save money and trouble!

Spontaneous Creativity: Art Timewasters

Sometimes creative thought just won’t come, or seems sluggish and slow–it’s like your creative juices have been frozen and won’t thaw enough to move.

When you get stuck like that, some say to keep pushing ahead, to keep trying to do what has become so difficult. I, however, have found that switching to a different artistic task entirely can revive the ol’ creativity machine in your head. By the same token, I’ve found that doing something randomly creative rather than purposely creative can help the Muse start to work again.

For that reason, I’ve gathered some of my favorite artistic timewaster games, which have served me well as “icebreakers” for my Muse. Check them out and try them–you might find a new idea bubbling to the surface even as you play!

I actually made this fairly-human-looking face using Ultimate Flash Face–surprising and pleasing, considering that most of the faces I try to draw on my own look like alien faces. XD This is a great artistic program–helpful for both art newbs (like me) and veterans alike!




These are three examples of the kinds of swirling art you can create with Flame Painter–so many settings, opacities, saturations, and colors to play with! Great for anybody who loves just playing with color.



Drawing with TypeDrawing is very different–instead of plain lines, you’re drawing with words strung together in a never-ending string. (Thus, my simple landscape done with just the words “tree” and “landscape,” and my attempt at a city skyline done with the word “city.”) There is a data limit–you can only draw in so much detail–but what you CAN make with words will surprise you!

A selection of drawings made with the Scribbler Toy, which takes a simple line drawing done by the user and transforms it with subtle shading lines of all sorts. You can play with the basic settings (as I’ve done in the far right drawing) to change how much scribble it adds, what color/opacity they are, etc.).



From smooth veils of color to waving lines, from fairly orderly to completely chaotic, Bomomo helps you make all sorts of random visual awesomeness. You can’t choose colors, but you can choose from a variety of lovely automatic brushes which follow the directions of your mouse (with surprisingly pretty results!).



And, last but not least, you can unleash your inner preschooler with JacksonPollock.org‘s art simulator. You start out with black paint, and you can click anywhere within the window to change the color to another random selection. Fill your entire browser window with virtual paint–who cares what it looks like, just have fun! :

Do You Make Music? These Five Free Programs Could Help You!

As a musician, singer, and composer, I’ve long wished for desktop applications to help me record and even notate the music that I write. (Most of my pieces of music are still in my head, not notated anywhere because I hate hand-notating so much. LOL)

On a whim this week, I began a new search for music-creation and music-notation programs…and I came up with the following five programs, which can help musicians and composers of all types and experience levels. Not only are these programs helpful, but they’re all free!

For Generating Electronic Music on Your Computer

Psycle
Psycle is music creation software, with less emphasis on recording and more emphasis on making music within the program itself. The open-sourced nature of the program also leaves users free to build plugins for it themselves, so it’s great for the music tinkerer who also loves to code. And, if you need help at any time, it’s got a lively, deeply-established online community built around it…which is also great for showing off your newest creations!

For Recording, Editing, and Converting All Sorts of Sounds

Audacity
As one of the premier open-source audio recording/editing programs on the Internet these days, Audacity can help you record any kind of audio track, edit all manner of audio file formats, convert old tapes and records into digital form, and even change the pitch or speed of a recording! (Ooh, I might use this to see how certain songs sound in my favorite keys. “Titanium” by David Guetta in C-sharp minor, here I come!)

For Recording/Editing MIDI Sounds

MidiSwing
If you can connect your MIDI musical keyboard to your computer, MidiSwing can help you record the music made through that keyboard. It can also help you edit MIDI files, as well as compose music from within the program itself. Best of all: it’s compatible with just about any system that can run Java 2. (I might look into this to record my music on my computer, since I <3 my digital keyboard. 😀 )

For Automatically Notating/Playing Back Music, and Making Sheet Music

MuseScore
A must for anyone who hates hand-notating music as much as I do. MuseScore can not only automatically notate the music that’s played into the program through a MIDI connection, but can play it back, and print out real sheet music, too! (DEFINITELY getting this–I’ve been wanting to get my music on paper for years!)

For Recording/Generating Music and Mixing It Yourself

Frinika
A complete Java music workstation in one program, Frinika supports MIDI, sequencers, recording, and editing, among many other audio tasks. Pretty much, if you want to record/edit/mix it, Frinika can handle it! (This looks pretty technical, so this is probably for the more advanced music mixers among us, but it’s a great all-in-one program nonetheless.)

More Music Creation Resources

For a much more comprehensive list of free music-creation programs, visit Free Music Creation Software on Squidoo–options for Windows, Mac, and Linux systems are available, as well as more specific kinds of software for various musical and audio purposes.

The Most Dangerous Thing Any Artist Can Do…

…is lose faith in their ability to make art.

Seems too simple, or even nonsensical. How can someone who makes art of any kind lose faith in that ability? And how can that stop you from creating, if you’re truly an artist?

Oh, it can happen, and all too easily. I’m stuck in it right now, as a matter of fact. And there is more than one path to this stupidly terrible mire I find myself in these days:

  • Suffering from self-censorship, and/or the fear that your art is “not good enough” for others to see
  • Making “art creation time” feel more like work than fun–over-thinking it and over-planning it, especially
  • Allowing someone else to bully you into making the kind of art they like, rather than what you like

Any or all of these things can strike you, as an artist, and they can all make your passion for creating art shrivel up and die. And when you’ve lost your passion for your art, no more ideas will come to you till you get it back. Thus, you lose faith in your own ability to make art, because the ideas aren’t coming. And all too soon, you stop even identifying yourself as an artist entirely.

Remember, Only YOU Can Make Art That Expresses Yourself!

[/shameless parody of Smokey the Bear’s “forest fires” slogan]

It doesn’t matter what kind of art you make, whether it’s poetry, paintings, choreography, sculptures, dramas, or jewelry–you have to have faith and passion for your art, otherwise the creative juices just won’t be there. You have to remember that you have a unique voice, a unique spirit, which is expressed through your chosen art, whatever it may be. You must let that come forth however it will, if it’s going to be truly representative of you.

Now, this doesn’t mean that you push aside help from other people. Others can guide you along, give you advice, and act as sounding boards for your newborn ideas. But only YOU can create art from that advice. God gifted you an amazing ability; only you can bring forth that idea that sprouted in your brain.

How to Get Your Faith and Passion Back

So, what to do if you’ve found yourself suddenly without the fire for your art that you used to have? Here are two things that have helped me:

  1. Re-experience your own artworks. Try to re-create that beautiful painting you did a few years ago; play through that old song you loved writing so much. Do whatever it takes to reconnect with what made you love making art. For instance, I took to my digital keyboard and played through a few of my more involved compositions, playing them in different keys, experimenting with their forms.
  2. Show or talk about a few of your most recent artistic attempts to friends you trust and/or friends who do the same kind of art. They may be able to offer a fresh perspective on the work you’ve lost faith in. In my case, I’ve been talking about my novel with a few more trusted friends, and slowly gaining a little more pride in what I’ve created when they give their reactions.

Remember, art is your personal expression, mirroring your experience of the world. No one else has quite that expression–will you then hide it or push it aside because it’s not “as good as” someone else’s? I hope you choose to keep working at it…your efforts ARE worth it, as are mine, as are every artist’s. Be proud of your identity as an artist!

Using the Five Senses in Writing

As a writer, sometimes I get WAY too caught up in telling the story, eager to get ahead to the next plot point. When I get in that impatient mode of writing, it’s hard to remember that I’m creating an experience for the reader, that I need to make the scene vibrate with life. I think all writers struggle, at some level, to make their stories have that kind of immediate life to them, like the readers are watching a movie unfold in their heads every time they read the printed words.

Putting Sensory Information Into Our Stories

One of the many ways we as writers can characterize that life–that rich, lush sense of a story being lived out in front of the reader–is to involve more of the five senses in the story.

Let me give you an example of prose without the five senses:

I walked out onto the front porch and went down the eight steps to my car, counting them as I went. I had to hurry–there was so little time left in the day to get my errand done.

This is a slice of very ordinary life, but it’s a very bland slice. Why does the person count the steps going down from the porch? Is this an OCD moment, or is there more purpose? Also, what time of day is this happening, that the narrator feels such a time pressure to get things done?

Sensory information can actually fill in the holes of this story, as well as describe the scene much better:

The breeze was a warm, moist breath along my arms as I opened the door to step outside onto the front porch. Summer’s humidity, along with the sharp, fresh tang of ozone, lay heavy on the air outside; it was this muggy air I’d been avoiding all day. But I couldn’t avoid the outdoors without ignoring my errand. Already I’d let so much of the day slip by that the eight front steps were darkened with auburn dusk and tree shadows. The velvet green leaves above my head swished a little as I made my way carefully down the steps, counting them so I wouldn’t slip.

The raspy voices of the crickets began tuning up all around me as I got into the car, popping a mint into my mouth and allowing myself to enjoy how the peppermint percolated on my tongue. If I just took care of it now, I reasoned, I’d have no reason to worry myself awake all night.

See how this prose is so much richer, and yet the story still moves along, despite the added description? The sentences are longer, and there are more of them, but each piece of sensory description adds life to the story and pulls it along. There are lush sights and sounds, distinctive scents, real sensations, and even a bit of taste thrown in, too–and all this brings the scene more vividly to life.

I’m not sure if this falls into the category of “show, don’t tell,” but I think the second selection of writing definitely outshines the first in terms of quality. What do you think? Which was the more engaging to read, for you?

To Make Your Writing Sing of the Senses:

  • Picture the scene in your mind. What colors are present? What visible textures? What kind of shadows, and what kind of light? Describe these for your reader, especially if they’re meaningful to the plot, or to the character’s state of mind.
  • Are there any sounds in the environment you’re writing about? If so, are they instantly recognizable (like music, laughter, or language), or are they randomly noisy (like cars rushing by, rattling, etc.)? Put a line or two in about these, if it makes any difference to your story’s plot or characters.
  • Any smells or tastes which are important to the story? If so, go ahead and include them–these are the two senses that get left out of a story all too easily. Just a few words about scents and tastes, however, can conjure up emotions and scenes of their own.
  • Don’t forget the sense of touch! Are there any important textures that you can feel in the scene you’re describing? What about anything in the environment that affects your character (like the breeze in my example paragraphs)? What does the environment feel like?
  • Include just enough of these details to paint a scene, but not so many that you forget to move your plot along. This is where it’s helpful to have someone else read it, to see if they get the same “mind-picture” you do without crowding out your story.

How The Right Music Makes Things Weirdly Funny

Today, I wanted to feature a very creative video from Youtube that’s always made me laugh, but has also puzzled me.

This is a scene from the 2005 film War of the Worlds (loosely adapted from the book by H.G. Wells), but instead of the original musical track for this scene, someone has put the theme music for The Benny Hill Show, a comedy variety show, in its place.

For some reason, this combination of scary/serious events plus this upbeat, whimsical music makes for hilarity–I find myself giggling even though I know I shouldn’t.

I’ve shown this to people who know what kind of show the music’s from, as well as people who’ve never even heard of Benny Hill, and both groups responded with laughter the same way I did. What is it about this music that makes this grim scene so funny?

I think it has something to do with how the music and visuals combine in a movie to affect our perception of the events. The original scene is terrifying and dramatic, not just because of the visuals, but because of the ominous, grand music in the background; putting the more comical music with it helps us take the visuals less seriously.

What do you think? What are some other reasons this video might make us laugh?

Why Write Fanfiction?

Most people might assume, after learning that I am a writer, that I have been writing stories with original characters all my life. That is, at best, only partially true.

In fact, for a very long time, I struggled with creating characters, naming them, everything. I had no problem coming up with great plotlines–it’s just that the character creation part was difficult, for whatever reason. Especially as a young writer (referring to single-digits ages), I never could seem to come up with original characters that were good enough for my plotlines, but I could always match plotlines with established stories, taking old stories in new directions.

And so, quite by accident, I became an author of what I now know as fanfiction, at a very young age. (For instance: somewhere in my house, there is a very old fanfiction about Cinderella and Sleeping Beauty hanging out and playing games, written on steno notebook paper in blue highlighter because I was about six-and-a-half and thought the blue ink was “pretty.” xD)

What Exactly IS Fanfiction?

Fanfiction is basically a new work of written fiction based off a movie, TV show, video game, or book; fanfiction authors can borrow nearly all, some, or nearly none of the original work’s characters, settings, and plotline in order to shape their own creation.

Fanfiction’s Slightly Bad Reputation

However, fanfiction in general has gotten a bad rap, for two reasons:

  1. It is usually considered a type of “derivative work,” which is kinda-sorta-not plagiarism–you are borrowing someone else’s characters to act out your plot;
  2. The fanfiction form has been used more for writing pornographic scenes than really doing anything new with the established characters.

Some established authors hate that their works get fanfic’ed, some are fine with it, and some are indifferent entirely. But many writers and literature lovers dislike the field of fanfic authors greatly, mostly because of these two reasons. They even go so far as to say that fanfic authors are not “real” writers at all, since they borrow rather than create their own characters.

Why Fanfiction Is Actually Not So Bad

However, this criticism misses part of the point of fanfiction: doing something new with established characters. It’s kind of like playing in a literary “sandbox,” just trying new things, seeing what happens. It can free creativity (and inspire new plotlines) in a way that struggling to create original characters can stifle.

For instance, my old story about Cinderella and Sleeping Beauty hanging out as friends might sound silly. But I was willing to step outside the box of traditional thought, even then, and try something new with the characters. It made writing a whole lot more fun; I got to toy around like a chemist mixing chemicals and substances in a lab. It wasn’t the best story on earth, but it wasn’t meant to be–it was done for fun, and for the experience of trying new ideas.

I think of fanfiction primarily as flattery to the original author of the work; after all, they’ve made awesome characters in a well-designed world, otherwise people would not respond by trying to work with those characters in that world. I don’t believe that fanfic authors are trying to steal anybody’s credit (I certainly don’t approach it that way, at least); it’s just that sometimes, your creativity gets to boiling when a great author’s work has struck a chord within you.

I also believe that fanfiction can be a good training ground for new authors. Certainly I cut my teeth as a writer by writing fanfic! Where I once struggled with creating good original characters, I have now become good enough to trust my instincts while pulling together characters for my own novel. Where I once worried that my style was too trite and boring, I have now tightened up my writing style through practice with fanfictions of all sorts.

I do agree that some fanfics are a little difficult to read because they seem so personal to the fanfic author; I also agree that some fanfic authors go a little overboard. But one cannot become a better writer without practice and input from readers, and fanfiction sites can be great places to get feedback and share the stories that have been bubbling inside your brain. And after all, if you don’t like it, you don’t have to read it! 🙂

To Learn More about Fanfiction

The potential legal pitfalls of publishing fanfiction online is well covered by ChillingEffects.org’s Fanfiction article–you do have to be careful publishing it!

But, on the positive side, there are many fanfiction archive websites online, as well as numerous fanfic author communities through Livejournal, Tumblr, WordPress, and many others. Here are just a few links I know of:

WARNING: Not all may be safe for work, and some may have more adult-themed stories, as discussed earlier in this article.

Most-Recommended

Fanfiction.net
MediaMiner.org
FictionPress.com

Other Excellent Sites

Archive Of Our Own
Mibba.com
Figment.com
ImagineFanfiction.com
Wattpad.com
Fictionesque.com
ForeverFandom.net
FanficAuthors.net
MyFandoms.com (also for fan videos and art)
FicWad.com

Lists of Fanfiction Sites

Fanfiction Directory
Fanfiction Sites: A List on Squidoo.com

Chord Colors: Perfect Pitch and Synesthesia

Last year, I referred to colors and music as being completely intertwined in my head–it’s a positive condition known as synesthesia, or as I like to refer to it, my “brain feature.” Every time I listen to music, my inner sight explodes in colors; it has always been this way, even when I was a very little girl and wasn’t as involved with the production of music as I am these days.

Though I’ve shared this particular picture with you before, here is my complete, colored piano scale, created by my combination of perfect pitch and synesthesia:

This pitch-color connection is an instantaneous response to music, something I don’t have to think about to “see;” it’s just there. And today, I thought I’d share some of that experience, in the form of created images capturing the colors of various musical chords.

(Before we begin, please excuse the relatively low artistic quality of these images; I can’t quite seem to recapture exactly how each chord “looks” to me when it is played, but I have done my best. :P)

B-flat Major


To me, B-flat, whether major or minor, has always had a little shade of darkness to it on the “left” side of the pitch; it’s not sad or evil darkness, just kind of shaded. Here, the B-flat major chord is described, with shadowy teal, light blue, and bright green (B-flat, D, and F, respectively).

B Minor


The 80s called and said they want their pastel palette back. LOL! This is how B minor looks in my head–a wash of lilac and white in the background (the note of B, with the lightness of the major chord), with a little light blue (D) and deep blue-green (F-sharp) mixed in. It’s a gracefully beautiful key, but also somewhat reserved and icy-feeling.

C Major


C major has always appeared bright and colorful in my head–almost too colorful! The golden-yellow C, the pale pink E, and the bright red G are a bit jarring together; this color combination is probably why I associate C major with childhood, especially toys. But you can’t say C major isn’t cheerful enough! 😛

C Minor


In stark contrast to the brightness of C major, C minor has always seemed broodingly dark, even a little slinky, especially with the red of G combined with the red-orange of E-flat and the gold-to-black gradient in the background. (The added darkness in the background is nearly always present in my head when minor chords are played, excepting B minor.)

C-Sharp Major


This is the only key for which very bright silver sparkles appear scattered across the background; I’ve done a poor imitation here, but this gives some idea. The bright green of F and the rich blue of A-flat do not overpower the deep violet and silvery shimmer of the background, which is possibly one reason this is my favorite key to hear music in.

C-Sharp Minor


I love both the major and minor keys of C-sharp, and with good reason–the tones are beautiful, as are the color combinations in my head. In its minor form, C-sharp’s violet is darker, with less emphasis on the sparkles in the background, and the light-pink E adds a more monochromatic dimension to the chord color. I can become wrapped in the chord very easily…it’s melancholy and yet beautiful.

F Major


F major, like C major, is very bright and happy, with the off-white A and deep golden C accenting the vibrant green F. It feels festive and unapologetic, which might be one reason I’ve always associated the key of F major with celebrations and lots of people.

G Major


Can’t miss G major! :O What an explosion of nearly-patriotic colors, with the powerful red G, soft lavender B, and bright blue D. This key feels energetic and powerful, even when it’s used for an easygoing song–I guess it’s all that red. xD (Odd fact: as American as this particular chord palette looks, it’s interesting to note that our national anthem is usually sung in A-flat major instead of G major. Oh well, there’s no accounting for my brain’s sound-color associations!)

To Learn More About Synesthesia

Synesthesia @ Wikipedia.org
Mixed Signals–for synesthetes and non-synesthetes alike
American Synesthesia Association
The Synesthesia Battery of Tests–find out if you’re a synesthete, too!