Tag Archives: creativity

Papercrafting Post #5: Origami

Without Reading Rainbow back in the 80s and 90s, I would have never learned anything about this beautiful, sculptural Japanese paper art. Thanks to the Reading Rainbow episode The Paper Crane, I was intrigued, and since then I’ve tried my hand at it several times.

Starting Out with Origami

Trying some simpler origami crafts, even the ones meant for kids, may help you start with this papercraft if you’ve never tried anything like this before.

First, I’ll share with you my favorite simple origami form: the paper cup. I do this a lot at restaurants when I’m bored, using square paper napkins or whatever vaguely square paper is lying around. It’s also fun to do with wax paper–you get a cup you can actually use for a bit of water! (Forgive rudimentary images–this is what happens when your hard drive fails and you have no sophisticated image or photo software to work with. Microsoft Paint to the rescue, LOL!)

Origami Cup Instructions

1. Start with a square piece of paper. This is important, otherwise your cup will look deformed at the end! (speaking from experience… -_-)
2. Fold the paper diagonally in half. You’ll end up with an isosceles triangle like the one to the left.
3. Take one of the narrow corners and fold it across the triangle so that the tip of it touches the other side of the triangle. It should lay straight across, not pointing down or up at an angle.
4. Take the top point of the triangle (only one of the sides, not both) and fold it down across the folded corner. Then tuck the newly folded flap into the little “pocket” formed by the folded corner.


Flip your half-formed cup over and repeat steps 4, 5, and 6 on the other side, folding the other corner over, then folding the remaining top point down and tucking it into the second little “pocket”. (see following images on left)
You should have a finished little origami cup!

Other Instructions from Origami-Instructions.com

For More Advanced Learners: The Star Box

This festive, four-pointed folded box form is a form I have yet to master again–I used to make them all the time, but have lost my touch over the years. It’s a really fun craft (and useful for storing small trinkets, bobby pins, or anything else light and easily lost). Try it out if you’d like a more challenging origami form!

Instructions from EHow
Instructions from Origami-Make.com

Resources to Learn More about Origami

Origami @ Wikipedia
Origami-Resource-Center for all levels of crafters–easy and kids’ origami, novelty origami (with toilet paper!), and even Star Wars/Star Trek-themed projects!
Origami.com Diagrams for the more advanced paper-folders–detailed, almost scientific step-by-steps.

Choir Saved My Life

This is not a melodramatic title. This is truth. I sincerely believe that if I had not joined choir in 7th grade, I would not be here today.

My (Pitiful) School Life Before Choir

Before I joined the middle school choir in 7th grade, I was a complete nobody in school. I was generally ignored or teased–treated with either indifference or malice–by the people I went to school with. I had no place in my grade’s social structure, not even the dubious grace of a “label” to slap on myself. If anybody called me anything, it was all based on negatives–there was nothing that I positively contributed to my grade level’s society, nothing I did that was particular to me.

As a result, I felt completely alienated from the rest of my classmates, and life was emotionally very stressful. When school mornings came, sometimes I would lay in bed worrying about the horrible school day I was going to face, and end up making myself sick, ending up in the bathroom all day. (Now, I know I was likely having anxiety attacks, but back then I thought I was just sick with stomach flu all the time.)

This behavior, both on my part and the part of my classmates, peaked in 6th grade, and by the time I turned 12 I had had it with my life; I thought about death every day, because death seemed like a blissful nothing in comparison to the shouted insults and often physically painful teasing. Not only that, I didn’t think I was DOING anything good with my life–it seemed like I didn’t mean anything to anybody anymore, not even myself. Depression had me fast in its grip, and in that dimness I saw nothing of the people who indeed did love me during that time.

A (Supposedly) Throwaway Decision

When it came time to sign up for 7th grade classes, I didn’t much care what I did–I was gunning more for the end of the year and a well-deserved summer away from all the mean kids I went to school with. But the musical category of classes caught my eye, and in particular 7th-grade Chorus. Both my older cousins had been in Band most of their school years and had enjoyed it, but I wanted to try out Chorus–“just for a year,” I explained to my parents. “Then, if I don’t like it, I can always switch to Band.”

My other motivation for choosing Chorus was that I had been in my elementary school’s choir for a year, and I had enjoyed singing, though I didn’t think I had much of an instrument to work with. My voice always came out kind of breathy and soft, though everyone who listened to me said the pitch was true. I figured I had nothing to lose by joining Chorus, and if it turned out I didn’t have anything to work with after all, I could switch to something else musical instead. I already played the piano, and thought that if my voice wasn’t enough, I could potentially learn another instrument.

So, after discussing it with my parents, both of whom encouraged me to join the chorus, I signed up to start in the fall of my 7th-grade year.

The Turnaround

This one decision changed my entire life within months of joining the chorus. As I’ve noted in my blog post Joining My Voice with Others, I discovered the strength of my voice, and began to thoroughly enjoy singing in choirs. Not only that, it is a creative outlet I have continued even into the present.

But WHY did it affect me this way, at 13?

Part of it lies in the psychological effect of being part of a big group doing something larger than any individual could do. I had a social place in my school, at last–I had a reason to go to school, a positive label to put on myself. I could point to the choir and say “I’m part of that;” I was no longer just “the ugly girl” or the “fat girl,” but “the girl who sings.” And my voice was no longer breathy and soft, but strong and powerful. I had a gift which was finally being recognized by the kids I went to school with. 7th grade was still stressful for me in places, but it was a watershed year; I could bloom, at last.

The other part of why choir saved my life was how it interacted with my personality. I like to be able to help other people, to do things that other people find valuable. (This blog is an example–I write six posts every week, hoping that someone else finds as much value in them as I do.) 7th-grade chorus allowed me, for the first time, to do something others considered valuable without them running away from me in horror. (When I’d tried to be nice to my classmates before, that was their typical reaction…I still have no idea why.) Now, the kindnesses I could do for others were appreciated and returned to me, not discarded, and I felt a lot more positive about my life as a result.

Death suddenly had very little attraction for me; I had something to go to school for, something to live for. Other people began to talk to me in more positive tones, about my music and my voice, and I could finally hear them, after years of having to shut them out because they were making fun of me. Chorus changed the social topography of my life, utterly, and most definitely for the better.

How Does This Link to Creativity?

This is a story not just of coming back from depression and suicidal thoughts, but of creativity, too. Not only did I feel more comfortable living my life, but I felt more comfortable doing creative things in my life, as well. My works were beginning to be valued, and at 13, it was exactly the kind of boost I needed for my self-esteem. Working with other singers, all striving for a great performance, gave me purpose, and gave me fuel for my own works–my writing and my music.

This is why I’m such a proponent of music education, and indeed all fine arts education, in schools. If fine arts had been taken out of my school before I had a chance to be in it, there is a very good chance I would not have seen my 14th birthday; my life would have had no hope in it, and I would have likely turned my thoughts of death into a reality. If fine arts and creativity can soothe the savage beast of depression and anxiety, which our modern schoolchildren are indeed suffering from in droves, then more of it, not less of it, should be incorporated.

I know, I know, we should be training our future workforce in “useful skills,” which is why fine arts education has been cut or eliminated in many schools. Many people who have never experienced the power of art on their lives may wonder, “Why waste money on teaching them skills that won’t help them in the real world?” But here is the flip side: we do want our future workforce to actually reach adulthood, don’t we?

As I well know from my teaching days, a life without creativity, without beauty and devoid of passion, is a life nearly not worth living. A life with creativity, on the other hand, with the capacity for beauty and passion, is a life that sings with our souls.

Art for Entertainment or Art for Meaning?

It feels like an either/or choice for many artists, including myself. Do we choose to create something that will be marketable, useful, widely accepted, and easily profitable, or do we choose to create something personally and passionately meaningful and hope someone else understands enough to buy it or appreciate it?

As an artist who is currently not making any money off her artistic pursuits, be it writing, music, or web design, I know I don’t have much perspective on the financial part of making art. But I do experience the tug and twist of the decision every time I pick up the pen or sit down to the keyboard (musical or computer): do I make something entertaining, or do I make something meaningful? Do I make something universally relatable and instantly likable (and possibly trite), or do I make something relevant to me, filled with loads of “new” meaning, and wait for others to pull the meaning out of it?

Art for Entertainment = Art for Everyone, But Art for Money

This might not seem like much of a decision. Of course you make marketable stuff. Of course you’d choose to create something that millions of people can get into and understand. That’s how people like us (artists, I mean) make any money, after all. If you want to succeed as an artist, you have to make things that lots of people enjoy and get meaning out of, not just an elite few who are critics in their own right. Plus, you can still couch grains of personal meaning in your work as an entertainment artist, and no one has to be the wiser–and you might get more genuine response. It just has to sell first.

Art for Meaning = Art for Artists…Sadly, Often Literally

And yet there’s the flip side, those of us artists who choose to create art that is personally meaningful first, without concern for how it will “sell.” I can count myself among these–I don’t want to be reduced to doing “things that will sell” just because of money. For me, doing art purely for entertainment seems to cheapen the act of artistic creation; it’s no longer about the work itself or the artist behind it, but about the dollar signs spewing forth from it. Yet, if artists do works that are less universally relatable and often regarded as strange or un-artistic, then what happens to the works? They are disregarded, and forgotten except by other artists.

Is There a Middle Ground? Or Do We Need Both?

To be honest, I don’t know if there’s a middle ground between art for entertainment and art for meaning. I do know, however, that both types must exist.

Yes, I just said that. Both pure entertainment and pure meaning must exist in the artistic world. The old classics in literature are wonderful creations, chock-full of meaning and beauty, for example, but sometimes you just want a Twilight book or a Danielle Steel novel, something you don’t have to pull teeth to understand, but that you can just EXPERIENCE.

Just like our bodies are designed to take in foods of wide varieties, our minds, too, are designed to take in arts of all kinds. Lady GaGa may not ever be considered a “serious” musician (what does that mean, anyway?), but her music has spoken to people all over the globe, because it’s got a good beat, an easy-to-catch meaning, and you can dance to it. Is her work any less meaningful to people’s lives for being dance-y? Does everyone always have to be in the “super-heavy-serious-music” category if they want to be considered “real” musicians?

Another example: Twilight has gotten a bad rap for its fluffy plot consistency, much like meringue on top of a pie–and I won’t deny that it is more for entertainment than for meaning. But it was also a book series that I experienced and didn’t feel the need to academically dissect like a typical piece of literature for my English major courses. THAT was welcome relief to my overtired mind. I was able to relax and let the story dissolve into my brain, like milk chocolate melting on my tongue.

I like to think about art the same way I think about food. A plate of super-healthy steamed vegetables would be good for us and would nourish us…they’re great. (Well, for people who like vegetables… LOL!) But I don’t want vegetables to eat all the time–sometimes, I wake up and just WANT a bag of Reese’s Peanut Butter Cups, or a big slather of Nutella spread and strawberry jelly on bread.

Same thing with art: while it might be healthier for our brains to take in all the old classics and spend our days in heavy-duty collegiate criticism of the works we’re studying, we don’t necessarily WANT to. Some days, we’re tired (“mental mush,” as my boyfriend puts it), and we want something that’s warm, comforting, and easy to mentally digest. When we’re feeling better, we’ll go back to the harder-to-digest but wonderfully-nourishing art, because you can get sick of sweet and non-nutritious after some time. (Trust me, after almost a month of having to eat soft foods like pudding and ice cream, I am getting starved for protein and salty snacks. I’ve never craved Fritos so much in my life. XD)

Basically: Lady GaGa produces the Reese’s Peanut Butter Cups of music, while J.S. Bach produces the hot plate of steamed vegetables with tons of fiber and vitamins. The wonderful thing about us artists is that we can produce both types of art–the art that invigorates (“serious” art), and the art that comforts (“entertaining” art). Lady GaGa could just as easily produce an unfathomably deep and “serious-music” kind of song (and probably still make it have a good beat); in several of the short stories I read in college, Jane Austen proved that she could parody the popular storylines of 18th-century novels in a delightfully tongue-in-cheek way, and make her writing more for entertainment as well as meaning.

Perhaps the Debate Need Not Even Exist

So, the time-tarnished debate of “art for entertainment” versus “art for meaning” may be a fruitless fight, after all. People may clamor on both sides, saying “I hate having to dissect and pull apart art to get at the meaning–give me something easy to take in!”, or “I hate art that doesn’t mean anything and is just for money–give me something deeper, something serious!” But both types, in my opinion, must exist, because we have a need for them. And any artist who creates is helping in their own small way. Even my rich and heavy songs, like a huge bowl of fettuccine alfredo pasta, have a place in the art buffet.

Summary

Balance is the key in creating and using art–we use art for relaxing and for awakening our minds. Neither side is somehow “better” than the other, because they are for different purposes. My art process relaxes me and invigorates others; I take in art that invigorates me sometimes, and other times I choose entertainment. For me, it seems all art is to the good, for whatever purposes the listener, reader, or viewer can use it.

The Elusive “Catchy Fast Song”

Though I love to write music, I admit it–I’m terrible at writing fast and catchy songs.

Most of my music is slow; I write lyrics that are heavy with meaning, couched in melodies that unwind across 20 seconds rather than 5 or 10. And, as I’ve observed during performances, not everybody enjoys slower-paced music. In fact, given my druthers, I’d like to write faster, more dance-like music, since that’s what I listen to the most. Slow music that isn’t mine bores me, unless I’m not actively listening to it and doing something else while it plays in the background.

But it is quite difficult to write a “fast song”, something that you can dance to, that doesn’t have vapid/meaningless lyrics. If it’s fast, according to today’s stylistics, then it nearly has to have very few words (because nobody can spit out hundreds of words at a fast pace, like a machine gun, unless they’re rappers). I don’t like the idea of a song having very little meaning just because it’s upbeat–that’s like trying to feed yourself on cotton candy alone. Yeah, sure, it tastes good, but it’s not very filling.

Some Ideas for Crafting a Faster but Meaningful Song

I’m not sure, at this point, how to get over this particular hurdle in my songwriting. But I have a couple of ideas:

  • Use a synthesizer or a beat generator to mix up a fast, dance beat that I like, instead of trying to generate one on my own
  • Come up with two short sentences that describes the idea I’m going after in my song

Why use an artificial generator for my beats? Simple–I ain’t good at rhythm. My pitch is great; rhythm…eh, not so much. Not sure why, but it’s hard for me to put together a rhythmic sound that doesn’t sound old. Giving me a playground of various beats can help me figure out what I like and don’t like, and what could be good as the background for my song. Sites like QWERTYBeats.com, and even a game like Sound Matrix can help out quite a bit!

The two-sentence idea makes me get to the point of my song, instead of winding up to it over the course of two verses and two choruses. I’m famous for writing long-winded stuff–if I’m forced to condense it into two coherent and meaningful (yet short) sentences, maybe I can craft that into a dancey tune that still means something.

Summary

I’m still working out the kinks on this idea, but you can be sure I’ll update you on my odyssey toward writing thoughtful songs that are catchy and dancey too. 🙂 After all, creativity IS a process!

Putting a Drawing in the Shade

Even though I have terrible luck with coloring my pictures (either the markers make it too dark, the pencils are too light, or the crayons are too textured), I seem to have a knack for shading. Somehow, the application of a pencil tip to the page in just the right places, moved quickly but carefully over the page to create gray gradients, clicks for me, where regular coloring doesn’t, at all.

And yet I’ve met many artists who have a lot of difficulty with shading. They can “never get it to look realistic,” or “it always ends up too dark for the rest of the picture.” These are the same people who draw absolutely real-looking still-lifes, who can sit down and in 15 minutes have a portrait of me or anybody else that looks like it took hours, and yet they have difficulty shading?

I think that the varying strengths and weaknesses of any artist in any art field depends greatly on each person’s individual skill set. I don’t have the patience for most coloring and most line art–I do very simple forms and hate to add color (usually because it ends up ruining my drawings!). Yet I love the soothing feeling of the pencil against the page as I shade; something about the quick movements makes me feel like it’s not taking terribly long, but the results look more masterful than the effort I put into it.

Shading may or may not be necessary for the kind of art you like to do, and it doesn’t have to be necessary at all, just like color is not necessary for my simple sketchlike forms. There are people in this world who can color in the lines, and then there’s me. XD But shading seems to come naturally to me, and so I try to make it a part of my drawings.

As a way to show others how to shade, I’ve written this blog post to explain how I shade (which is just one way of doing it).

Where’s the Light Coming From?

Before you find out where the shadow is on the page, you have to determine where your light source is. If this is a picture from reality, it’s as easy as looking at your subject and seeing where the light is coming from. If it’s a picture from your imagination, you have total freedom as to where the light comes from.

One of my art teachers taught me this trick in middle school: lightly draw a little sun image at the extreme edge of the page where your light source is, to show where the light is coming from. It’s a visual reminder, if you lose yourself in drawing and shading, that the light is coming from top left, or top center, etc., and you can easily erase it when you’re done shading.

Once you’ve decided where the light is, you know where the shadow is–it’s always directly opposite the light. Light coming from the left? Shadow’s going to be darkest on the right side of the object or person being shaded. Light coming from top right? Shadow’s going to be darkest on the bottom left side.

What’s the Shape of the Object to be Shaded?

Cylindrical shapes are the easiest things for me to shade–shade very darkly on the opposite side from the light, then gradually go lighter and lighter as you approach the other side of the shape. The gradient is done smoothly and evenly from one side to the other.

Unfortunately, you’re not likely to be shading just cylindrical shapes. Vases and faces, flowers and buildings, and all types of other shapes exist in art, so you have to figure out how the light falls on these objects and shade accordingly.

For a shape that is narrower in some places than others, I’ve found that the most realistic-looking shading brings shadow closer to the light side in the narrower spots. For a rounded shape, doing shading around the edge of the object farthest from the light seems better.

Do the Darkest Shading First

Once you’ve decided where the light is in the picture, the farthest and most opposite part of the object being shaded is where your darkest shadows will fall. I find it easier to do the darkest shading first, really scrubbing the pencil lead, charcoal, or ink into the paper, so that you know where your opposite point is. Line the shadowed side of the object, following its contours closely, with the darkest shadow color.

From here, you can shade lighter and lighter until you get to the other side (the light side) again. (It’s easier for me to do a gradient effect by hand if I know how dark the darkest shadows are supposed to be.) Build up your color in the darkest-shadow area gradually, making sure it’s right ahead of time (you’ll understand when and if you try to erase it, but more about that later). If you don’t get the deepest shadows right, it will be very hard to make your lighter shadows look real later on.

If In Doubt About Shading Placement, Go Lightly

If you’re not sure that your contouring or placement is right, shade very lightly first and check it. Does it look “real,” like it’s going to pop off the page, able to be touched? If it doesn’t look real, change it with either a few more lines of shading, or a handy (and good) eraser.

Once you’ve got the right placement for your shading, you can add more or take away as needed until the entire object is given its third dimension.

The Eraser is Your Friend–IF You Shade Lightly First

Erasers will not get rid of your darkest shading, so it is important to make sure your darkest shadows are correct. Erasers are, however, great for retouching parts of the medium- to lightest-shaded places in your picture. If you’ve gotten a little overzealous with your medium color shading, an eraser can lighten it up just a touch; it can also erase completely the lightest shading in your sketch.

Summary

Careful placement and a (generally) light touch with your shading implements, as well as constant observation of your object and whether it looks “real” on the page, is key to getting shading right. But as with all art, don’t get discouraged–keep trying to shade, even on little doodles, and you’ll get the hang of it. Every bit of practice helps!

Papercrafting Post #4: Quilling

For a change of pace, this papercrafting post focuses on a purely decorative craft instead of the practical papercraft I’ve been discussing in earlier posts. But quilling is quite lovely and fun to do; it’s something you can easily add to gift tags or greeting cards, and it can be done alongside ornare for an even more crafted look.

What is Quilling?

Quilling is the art of rolling paper into beautiful shapes for decorative purposes. First a distraction for the wealthy, it is now a very approachable art form for all people. Coiling, pinching, and twirling thinly-cut pieces of paper yield delicate and ethereal miniature sculptures!

Quilling basics @ Wikipedia.org

What is It Used For?

Mostly, quilling takes a low-priced medium (paper) and uses it to embellish other items for a very high-style look. You can add all sorts of rolled-paper decorations to handmade greeting cards, wall art, decorative trinkets, and even furniture! (I could definitely see a glass-topped table with colorful or metallic quilled paper underneath the glass in small niches, able to be seen but not squished.)

Types of Paper to Use

Printer/computer paper can work while you’re trying to learn the craft, but you can also use lighter-weight paper like origami paper (and possibly even tissue paper for a wispier look, though I haven’t tried this). Any paper seems to work well–just cut it into thin strips first so that the coiling process will be easier.

If you want to practice and you have no thin-cut paper to hand, even a straw wrapper will suffice. Get rid of boredom while waiting for your food at a restaurant AND practice quilling at the same time!

How to Start Quilling with Just Fingers

  1. Taking one end of your cut piece of paper, roll it as tightly and roundly as you can (i.e., no folding it over and over itself) until you get to the other end of the paper.
  2. Slowly release the paper so that the coil expands a bit.
  3. Holding the coil with two or three fingers, affix the last end of the paper to the closest side of the coil so that it won’t come apart. A small drop of glue (something a bit stronger than white glue, but no superglue, please) should work.

You now have a beautiful little coil of paper! Once you have mastered this design, you can start to make other shapes that work off of the basic circular coil.

More Advanced Quilling Techniques and Tools

For excellent tutorials and more advanced quilling work, these two websites show more than I could possibly do, being a novice quiller myself. Try this out–have fun coiling, gluing, and twirling!

More Quilling Basics and Intermediate Techniques @ HandcraftersVillage.com
Advanced Techniques and Quilling Tool Advice @ Craftzine.com

What Do I Write About?

“It’s perfectly fine to try my hand at writing,” you might say, “but I have no idea what to write ABOUT.”

Subject matter is important when you’re writing, whether you’re writing creatively or informatively. But you cannot let yourself get hung up on subject matter and stop writing completely. If you stop writing because you feel you don’t know what to write next, you risk hindering your creativity permanently–first, you’re afraid you don’t know anything to write about and you stop, and next, you’re afraid to start up again because it’s been so long since you tried, and so on.

So, how can you decide what to write about? The following blog article delves into the various ways:

Write About Your Life

No one can tell all that there is to know about your life except you. You are the one who has had the first-person experiences you have. Whether they are funny anecdotes, sad memories, wild and crazy tales, or even just small, wistful moments, they are YOUR stories, and they ARE worth writing about.

Why are your personal stories worth writing about? Because when you share about your life, you are sharing a story that could inspire someone else to get through a similar situation he or she is going through. Humans are social creatures, after all, and we like to know that we’re not alone in whatever tough or strange situation we get into. That’s why social media is so big right now–it’s suddenly very easy to uplift each other by sharing about our own experiences. When you write about your life, whether you choose to make it a Facebook status, a Twitter message, a blog article, or an email to someone else, you are taking time to reach out to someone else and tell them “Hey, I went through this, too. I understand.”

Write About One of Your Passions

It’s darned near impossible to write about something if you could give a flying flip about the subject matter. If you want to write something to interest your audience, write about something that you love–your very passion for it will draw others in.

Take this blog as an example. I write about six subjects I love, all week, every week (giving myself time off on Sundays, of course), and I have passion for each one. Because I love each of the subjects I write about, I’ve taken time to become more knowledgeable about each one, and I can write about being thoroughly involved in each subject’s activities.

Writing about things I’m passionate about even entered my schoolwork once–I was giving a presentation in one of my graduate English classes, which was part of my huge final project. I was covering how girls fare in education, and at one point, I covered a sub-topic about girls and gaming, which is becoming much more popular as more girls feel “normal” playing video games. After the presentation was over, the professor and several students commented that most of my presentation was delivered in a rather flat way, but that they were really interested to hear about the “girls and gaming” segment because I looked so much more lively and so much more interested in what I was talking about. I ended up making the “gaming girls” segment into my major final project, and I had a whole lot more fun writing about that than I had had working on the other, larger-topic presentation.

Whatever your passion is, whatever you love doing, seeing, or being involved in, that can be a source for your writing. Don’t worry about it, thinking “But no one else will find this interesting”–remember, in this age of the Internet, there are bound to be people who will find your digital writing VERY interesting!

Write About A Subject that Gets No Attention and Needs It

This is how social activism and social projects get started. From well-established groups like MADD all the way down to growing projects like Freecycle, these projects all began with someone talking and writing about a subject that had gotten very little attention and needed it. Whatever subject or issue you firmly believe in, whatever has gotten your attention and keeps you awake at night, write about it. The very act of communicating about it can start the social ball rolling and fix the problem, raise awareness, or just help people come together and share their personal stories with each other.

This doesn’t have to be for just solving problems, either–this can be about happy events, such as a new group of local moms working together to help each other with kids, or a new chapter of a family-friendly social group starting up in your area. Whatever you need to advertise about, tell others about, your writing can be a powerful, personal voice for that topic.

Summary

Writing does not have to be frightening–in fact, writing can be incredibly freeing for your mental “voice,” your thoughts, feelings, and dreams. I know I can say a lot more through writing than I ever could by speaking–I’d stammer and chase too many topic rabbits, while my writing voice flows as smoothly as water. I hope these three tips about choosing a subject matter help you figure out where YOUR voice belongs…and I hope it inspires you to start or continue your written communication with the world.

When Writing Feels Like Punishment

Sometimes, even for the best writers, writing feels more difficult than it should be. For people who don’t enjoy writing, just the very thought of writing is punishment enough at times. You hit what feels like an impossible hurdle (criticism from someone else, self-criticism or self-censorship, etc.) in the process of writing, and you go airborne for a few seconds, struggling to get yourself back into the writing groove. But instead, you end up landing hard, with all the mental wind knocked out of you. After something like that, it’s hard to feel like ever writing again.

I’ve hit walls in my own writing plenty of times. Sometimes, it was while struggling to complete/excrete a term paper in college (“excrete” is what it feels like to try to compose a 10-page paper from scratch 2 nights before it’s due). Other times, it’s been in my own creative writing or personal writings–some days, it just doesn’t pay to open Microsoft Word, because all I do is sit there, type a bit, Backspace it all, type some more, highlight and hit Backspace again, etc. It’s not fun to feel like you just flat can’t write.

But, as with all obstacles, there are ways around this feeling. Here are the ways I’ve developed over the years to getting back on the writing horse and trying again:

If You’ve Produced Something Terrible, Don’t Erase It

The worst thing you can do, when you start thinking how much your writing resembles something in a communal toilet, is to flush it away. Cut and paste it into another file and save it for later, maybe, but don’t just Backspace a whole page (or delete a whole file) of your hard work.

Even if you don’t feel like dealing with it right then, saving it as a separate file for later will help you remember to go back to it when you have more mental energy, when you have more time, etc. If you delete it completely, you’re likely to completely forget about it, possibly losing a great diamond in the rough sands of your life.

This is what I do when I’ve come up with a blog post that I suddenly REALLY don’t want to post anymore. I don’t completely delete it, but I save it in a new file and start writing on a different post. (I’ve got one file saved as “rant rant rant,” where I went kinda batpoo crazy on a topic and decided it wasn’t right for that particular article. I don’t know what I’m going to use “rant rant rant” for, but at least it’s there, lying like a fabric remnant in a dressmaker’s closet, ready to be used whenever I’m ready to go back to it.

If Your Writing Is Just “Off” Today, Stop for Today

Some days, even if you love writing like I do, you just aren’t feeling the “writing bug.” When you start to type the same sentence 5 times and end up Backspacing it, or you just stare at a blank page or screen and feel like SOMETHING wants to come out, but you’re not sure what, you need to stop for the day. I’m not saying stop for a lifetime–no, no, never stop trying to write permanently–but just take a break from it for the rest of the day, whether that’s a few hours or almost a full day.

This would happen a lot to me during college, when I would struggle to write papers–I just wasn’t feeling up to being the super-critical English major that day and the subject matter just felt too difficult to tackle. So I’d save what I had been working on and would go read instead, or get out of my dorm room and walk around some, or call a good friend and talk about it. Taking time away from the heavy task I was working with helped me get more relaxed and feel like I could write anything again, instead of feeling like there was some gremlin sitting on my shoulder who was critiquing everything I wrote as I wrote it.

Talking to others, reading, doing a little Internet searching or surfing, etc., can also give you new ideas on how to put together your written thoughts. It may be that the random comment your friend made about the book you’re giving a report on jogs your thinking: “Yeah, that IS a weird detail that the author put in…wonder what it means?” Then, suddenly, you may have a totally new direction for your paper.

If You Don’t Know Much about Your Topic, Learn About It

Yes, I know, seems kind of elementary. But you wouldn’t believe the number of times I had to coax my middle school students into writing about something they didn’t know about. They kept whining, “But I don’t KNOW anything about this!” My answer was always, “Then find something out about it. We’re in the library for a purpose, after all.” 😛

No matter what you’re writing about, whether it be search engine optimization or the Post-Colonial period, fractal geometry or painters in Florence during the Renaissance, if you know little or nothing about the topic, then research is your best friend in the world. I’ve written about research as a great tool for bloggers who want to write new and interesting content, but it also works for college papers, creative writing, letters to the editor, workplace presentations–everything. There’s nothing worse for your career, for instance, than looking plain ignorant in front of your boss and coworkers because you didn’t do your research.

Now, your research does not have to be done on those irritating formatted index cards. (God, I HATED handwriting all my research on index cards in school! So annoying and time-consuming–it made research feel like a special place in hell reserved just for me.) Remember, your research is likely going to be more internet-based, so just doing a thorough search of Google (i.e., not just the first page) could help you. Check out every link that seems like it relates to your topic, make sure the site is reputable (not just a blog-ish site created by a content robot), and then copy-paste the URL into a file to refer back to later as you write. Scanning through the content can also provide you a bit of preliminary information as well.

You can always go to the library or talk to a knowledgeable friend or family member about your topic, as well. Taking time to learn more about your topic is not just for school projects, but for anything you encounter while trying to write about a particular subject that you don’t fully understand.

For instance, I don’t know very much about the Tea Party political movement in modern America, except to know that if I saw a Tea Party parade coming down the street, I would likely soil myself and run in the other direction. However, I can learn more about the movement by research, and thus be much more informed when I hear about “Tea Party candidates” in the news, etc. Then, I can write more informed blog posts, and the Internet always benefits from more informed writers rather than more passionate writers.

If You Hate Writing, Write How You Talk

Maybe just a sentence or two, about something you have a strong opinion of. Maybe a paragraph on your Facebook status, indicating exactly what you’re going through physically and emotionally while waiting for a medical test result to come back. If you hate written communication, start by writing how you talk–write out what you would normally talk about, and focus on subject matter that you really care about.

At this point, if you’re very uncomfortable with the writing process, don’t let fears of bad grammar, spelling, or sentence structure weigh you down. Just WRITE what is in your head, in your heart. And if there’s nothing more in your head or heart after a few sentences, you’re finished, and you can move on to the next topic you want to talk–pardon me, write–about. Write for the feel of the pen moving across paper, communicating your thoughts, or the feel of the keys yielding under your striking fingers. Write for the sheer pleasure of telling your world what you think about something you really care about.

Now, if you’re still just horribly stuck and feel like you just CAN’T write, I have a story for you:

I had a young student in one of my classes who was what we would call a “screw-off,” a class-clown type who was more interested in disrupting the class and ticking off other people. But by the way he spoke in class (when he wasn’t smarting off to me, and even when he was sometimes), I knew he was a smart kid. He just didn’t respect school, didn’t care about it, and writing for class was about #90003 on his list of things to achieve in life.

One day, we read a short story in class, and I asked the kids to write at least five sentences (a full paragraph) about what they had read. I told them to answer five questions, one in each sentence:

  1. Who is the character you like the most?
  2. Why do you like this character?
  3. Does the character act in an understandable way throughout the story?
  4. How does the story show this character’s motivation?
  5. Do you think the author likes this character?

With each question, I was asking the kids to dive below the surface story and come up with some deeper answers about the story’s construction, the author’s possible purpose, etc. I wanted them to connect with the story as critical readers rather than passive readers. But the young man in question was more interested in tearing up blank notebook paper into itty-bitty pieces to craft into spitballs.

“Why are you not doing your work?” I asked–I glanced at his paper and saw that he had written “I Don’t Know” as the answer to each of the questions.

“‘Cause I’m done,” he replied, with an attitude.

“Nope, you’re not done,” I said. “‘I don’t know’ is not an answer, because you read the story–you DO know something. You’re a smart kid, you know?” He huffed and brushed his half-made spitball aside.

“You heard the story,” I said, trying a different tack. “Which character did you like?”

“Didn’t like any of ’em,” he said, laying his head down on his arms and muffling his voice.

“You sure? There wasn’t one that you understood the most–you could relate to what they were going through?”

“Pssh,” he replied. “Not any of the good guys, anyway.”

That left one character. “You liked the bad guy?” I asked, keeping any judgmental emotion out of my voice so he would feel free to express his opinion.

“Yeah, he was all right,” the young boy said. “The good guys treated him like crap and he was just gettin’ back at ’em.”

Gently, I pushed the paper of questions under his elbow. “Sounds like you have answers to questions 1, 2, and 3,” I suggested.

“Huh?” He raised his head slightly, looking at me for the first time. “Naw, that’s just opinions. I ain’t got answers.”

“In literature class, opinions are answers, if you can show me how you formed your opinion,” I nudged. “Write down what you just told me, in complete sentences. You remember how we do complete sentences?”

“Yeah, yeah, yeah,” he replied, waving away the rest of my advice. I watched the pencil tip and then the eraser dance in mid-air as he erased furiously and then wrote down actual sentences. “There, is them answers?” he asked, showing me the paper.

“Yes,” I said, nodding–indeed, questions 1, 2, and 3 had answers. “Remember, question 1’s answer needs to be a complete sentence, though. Rephrase the question as a statement: ‘I liked [villain’s name]’ instead of just the character’s name by itself.”

“Oh, okay.” For being such a reluctant student, he knew enough about what to do–he took the paper back from me, erased, and wrote again.

“Good,” I said. For question 3, I was impressed by the depth and empathy of his response: “[villain’s name] was just trying to live his life, and the good guys busted in and acted like he was living wrong. They made him feel bad, so he got back at ’em. I woulda done the same thing if I was poor like him.”

“Now, how did you know that [villain’s name] was poor?” I asked him. Now that he had answered 3 of 5 questions, he seemed to have perked up a little, though he was still toying with a tiny ball of paper in his left hand.

“Well, it had all that stuff in it about his raggedy clothes and stuff,” he replied, as if it was obvious. It was obvious, but I wanted him to see that he had more answers than he thought.

“And who told you about the raggedy clothes?” I asked.

He thought, and then looked embarrassed. “Oh, yeah, the author put it in there.”

“You’re right, the author describes how torn and dirty his clothes are,” I affirmed. “Doesn’t that sound like an answer to question 4?”

He glanced back at the paper. “Motivation? I don’t even know what that means.”

I reminded myself to break down definitions of words more carefully in the future. “Motivation means ‘why you do something.’ If you do something like steal, like this boy did in the story, you have to have a reason why you did it–a motivation to do it. Why did he steal?”

“Because he was poor.”

“You’re right,” I said, nodding. “Being poor was his motivation to steal, because…why?”

“Because he ain’t had nothin’.”

“Good, you got right to it; he didn’t have anything and needed things to live on,” I said, subtly correcting his sentence as I went. “And the author shows us that through describing his clothes, not just coming right out and saying ‘this bad guy is poor.’ Write down what you just told me,” I said again, giving him back the paper.

This time, he did this with a bit more energy and a complete sentence just like the first three answers; it seemed he was getting the hang of it. “Want to try question 5 by yourself?” I asked–it, like question 3, required depth and empathy to respond. He nodded, and the pencil eraser danced again, a merry fox-trot pattern in pink rubber.

I looked at his response: “No, I don’t think he likes him much. Maybe he feels sorry for him, but he don’t like him. He’s still the bad guy in the story.”

The young boy had struck right to the heart of the issue: the author tells a story about good guys and bad guys, but the good guys have the flaw of being too prideful and scornful, and the bad guy is worthy of pity and compassion. I disagreed with the young boy–I thought the author actually liked the bad guy best of all–but I understood where he had gotten his answer. After all, the author still classified the villain as a villain, even if he meant him to be a pitiable character rather than a character worthy of hate.

“You’ve done very well,” I praised quietly. “Look at this–you wrote even more than 5 sentences! Good job!” I grinned at him. “And you said ‘you didn’t know.'”

“Well, I didn’t think I knew,” the boy replied, finally laughing, and I got up from my position at his desk and returned to managing the classroom as a whole, with his completed assignment finally in tow.

Now, while that story was pretty long, it shows how you have to sometimes draw the answers and the subject matter out of yourself, especially if you hate writing or feel uncomfortable with it. Sometimes, you have to play the teacher as well as the student, asking yourself the questions and generating your own responses.

Some good questions to ask yourself when you’re beginning to write:

  • Who else is an important part of this story?
  • What are the facts that someone else would need to know?
  • Where can I put in details about my experience (sensory details, emotional details)?
  • Why should I write about this?

Knowing your characters, facts, details, and purpose for writing is key to communicating through writing, as well as speaking. These four parts are the heart of writing. Remembering this can keep you from feeling like you have nothing to write, because you most certainly do!

If You Keep Failing, Keep Trying

I do my best to write something, ANYTHING, creative every day. These blog posts count, because I’m having to create the content usually from scratch. My novel counts, because it’s definitely fiction. Random bits of poetry I come up with while driving counts (but I don’t write it while driving, for obvious reasons). Even the stories I write just for my own enjoyment, my own LOLs, count. Anything I can do to keep the writing juices going, I do. Generating writing, whatever it is, no matter what quality it is, is key.

If you don’t write a lot, it can feel like everything you produce is junk for a while. And sometimes you may have a “junk day” or a “junk week.” Heck, last month was “junk month” for my novel–couldn’t seem to write anything for weeks that didn’t just bore me to death. But I did not give up on it completely; I did put the novel aside, once I realized that I was hitting a brick wall, and then I engaged in some research, some question-and-answer scenarios, as well as putting aside some scraps of writing that I came up with while having fits and starts.

Once I was over the period of time where it seemed nothing was forthcoming, I went back and revamped one of the scraps with some new details, and suddenly, I could write again! Now it was interesting again, and the story began to move once more. But I had to keep trying.

And all the while I was struggling to write my novel, I was cranking out blog posts six days a week–that likely helped keep everything oiled up and running, instead of locking all the machinery down just because one machine was broken temporarily. Even if one of your writing projects doesn’t take off, if the subject matter just doesn’t work for you or it’s too hard, don’t abandon your other projects. If you juggle several, like I do and have done all my life, then you’ve always got something to take your mind off the failure of one project, and if you succeed at another one, you might be just inspired enough to come back and kick your older, failed project into a better gear.

Summary

Whether you love or hate writing, whether it’s natural or totally alien to you, these tips should help you, as they have helped me through countless bumps in the process of my own writing. The big ideas here are to keep everything you write, knock off for the day if it’s just too much, do research if you find yourself in unfamiliar territory, ask yourself questions and generate answers if the going gets really tough, and never, EVER give up on writing completely. Once you focus on the act of writing as being a pleasant thing, you’ll find that it comes more easily.

Papercrafting Post #3: Gift Tags

Yes, I know, Walmart and other big-box or discount places sell little gift tags you can tie onto your gifts. But who wants to spend $2 a pop for these little cardboard gift tags, when you can make loads of them yourself for a lot less money (and a much craftier, customized look)? This is part of papercrafting–making personalized items that cost less and also use up material that you might otherwise throw away.

The reason I chose to cover gift tags on this Papercrafting Post is because it’s a useful item that could easily save you money if you know how to make it yourself. You just have to be willing to break out a little creativity and spend a bit of time putting it together. Not as hard as it might seem!

What You’ll Need

  1. Card stock of any color OR unlined index cards of any color
  2. Any colorful or patterned paper you have lying around (crumpled-up tissue paper, old wrapping paper, etc.)
  3. Solid-color printer paper OR construction paper
  4. Double-stick tape OR a glue stick
  5. Single-hole puncher
  6. String, thread, ribbon, OR yarn

Eight Steps to Your Own Gift Tag

  1. Cut out a piece of card stock or an index card in the desired shape. Doesn’t have to be square–you could even cut it into a really fun shape if you want to!
  2. Using your cut-out shape as a guide, cut out a piece of your selected patterned/colorful paper. Make sure that your paper’s shape is about a centimeter/half an inch bigger around the edges than your card stock/index card shape.
  3. Wrap your paper shape around one side of the card stock/index card, taping or gluing down the edges as you go, kind of like wrapping a present. You will end up with one side of the tag completely covered with the paper and one side just covered around the edges. This is what you want.
  4. Get a piece of your solid-color piece of paper and cut out a smaller version of the shape of your gift tag.
  5. Affix this to the back of the tag (the side that is only partially covered) with tape or glue stick.
  6. Use a single-hole-punch tool to punch out a hole in your gift tag, for the string to be threaded through.
  7. Sign your tag on the solid-color side as appropriate (better to write on it now rather than wait until after you’ve tied it to your gift, trust me)
  8. Thread string, thread, ribbon, or yarn through the hole and tie to your gift, and you’re done!

Resources

Available at Office Supply Stores

  • Card stock
  • Index cards
  • Printer paper
  • Double-stick tape
  • Glue sticks
  • Single-hole punchers

Available at Big-Box Stores’ Craft Sections

  • Wrapping paper
  • Construction paper
  • String, thread, ribbon, and yarn

Likely Available In Your Home
Don’t forget to shop your home first–you might have more crafting materials hidden in your junk drawers and recycling bins than you’re aware of.

  • Old giftwrap/tissue paper
  • Scraps of printer paper and construction paper
  • Random bits of thread, yarn, string, or ribbon–even a twist tie can work!
  • Index cards that have been barely used and could be erased

Digital Cut-and-Paste Art

No Elmer’s School Glue or scissors required! Just a mouse and a simple art program on your computer can create some wild and fantastic artwork.

This instinct-based, haphazard-looking way of making art is not really new–think of Jackson Pollock’s artwork–but doing it digitally instead of with a paintbrush and palette is a little newer. No longer are we constrained by the tools we can buy or the paint colors we can find–you can create any color and use almost any type and texture of brush. You can even cut pieces out of your picture and put them somewhere else without hurting the canvas! Check out the process below:

The Process of Making a Cut-and-Paste Digital Artwork

(In the following demos, I’m using Microsoft Paint.)


Start with a blank white canvas, sized however you like.


For this art piece, I dye the background completely black. You can choose to dye the background any other solid color or make a pattern in the background if you wish, too.


I use “Calligraphy Brush 2”, at the widest width available, and choose the basic bright red available by default from the Paint palette. Then I paint rather randomly and haphazardly all over the canvas.


Then I choose the default yellow, again with the wide Calligraphy Brush 2, and paint randomly again, trying to cover different areas from the red, and a little less than the red.


Then I take Turquoise from the default palette and paint once again, still trying to cover different areas from the yellow and red streaks.


Now, I choose the “Select” tool, with a rectangular shape instead of the free-form shape, and cut out a small, nearly square shape from the piece. Then I move the cut-out piece just a little down and to the right, to reveal a white corner edge.

I follow the same procedure (except moving the cut piece down and to the left) with the second cut piece, below:


You can also resize one of your cutout pieces if you like–here, I’ve resized the bottom-left cutout piece to be much larger than its original size. It makes it almost pop out in 3-D, to my eye!

You could leave it like this if you like the white part of the picture; in my case, I want to recolor those white parts black again, to match the background.


This is a look I’m happy with, but you could also dye the background to match one of the other colors you’ve included in the picture. A shot of solid red, yellow or blue in this picture, for instance, would be striking!


This is my finished example. Yes, I know, it might look a little kiddy still, but I just wanted to show you the technique with as different a trio of colors as possible.

Other Examples of Color and Cut-and-Paste

If you like this haphazard abstract look but don’t want a ton of bright colors, you can also do something like these:


Here, I’ve used a gray background, with turquoise, pale blue, white, and purple sprays on top instead of the Calligraphy Brush. Then, I used the free-form selection tool to cut out and move some shapes to create sinuous and strange lines within the piece. At bottom right, I blew up one of the small shapes to a larger size.


In this piece, I used first a rose-pink Watercolor Brush across a sand-colored background, then added pale yellow Natural Pencil, then a creamy Calligraphy Brush on top. I didn’t cut anything out from this piece because it looked fine the way it was.

Doing Something More with Your Creations

If you have access to a more sophisticated graphics editing program, like Photoshop or Paint Shop Pro, you can do all kinds of fun stuff with these types of creations. (I used Photoshop Elements 8.0 for the following edits.)

Look at the two different looks I created out of my example piece, just by Motion Blurring it in two different directions:


Motion Blur going down from left to right brings out a lot of the blue lines and makes the red and yellow fade a little more. Reminds me of a ribbon dancer’s movements!


Motion Blur going up from left to right brings out a lot of little red and yellow streaks, almost like shooting stars.


I used the Liquefy filter to swirl these colors and sinuous shapes together. I know it doesn’t look like much right now, but this technique is all about seeing potential. This, for instance, could be useful as the beginnings of a website header (a little more blurring, cropping, and some text in a beautiful font and color, perhaps?).


I used the Paint Daubs filter, increased the width of the brush, and changed the brush to “Sparkle” to create this effect. The creamy swirls almost look like rippled water reflections on the bottom of a pool.

Summary

This kind of art requires us to be instinctual in our process. Choose the colors and shapes we like most in this moment, and just start going at the canvas until you have something beautiful. And if you don’t have something beautiful at the end, no worries about wasted paint or wasted canvas–you can just hit the “New” button and start again!