All posts by Robin

I'm a woman in my early thirties living in North Carolina, USA, and I have a lot of varied interests; I love creative writing, music composition, web design, surfing the Internet, thinking out loud, and gaming. And yes, my glasses are crooked. :)

Using Music to Inspire Your Web Designs

musicinspirewebdesign
As an avid musician and composer, I find that music, like writing, permeates the other areas of my life, and that definitely includes web designing. I often use music as a background when I am in full “Photoshop mode,” sometimes assembling a full playlist of particular moods and flavors of songs, and sometimes just letting iTunes Shuffle dictate what mood I’ll hear next.

Some of the more memorable designs I’ve churned out over the years have begun with music. For example:


deeppurplelayout
The clock-like notes and soaring guitars of “Alone” by Heart inspired this deep, space-like violet image, studded with faint stars. This became the background for one of my early personal sites’ splash pages.


softbluelayout
Wispy vocals and an ethereal music box sound in Britney Spears’ song “Everytime” helped me create this handmade gradient of soft blues and sunny white. I eventually used the image as the fixed background for a contact page.


darkoceanlayout
“Saltwater” by Chicane had such fathomless depth and rain-like rhythms that I was inspired to create this energetic swirl of blue-green and black. Later, this became part of a header image for an early fansite.

Where These Images/Color Selections Come From

Since I listen to the songs while I’m creating the images, I believe a lot of it has to do with my sound-color synesthesia, which I’ve referenced in other blog posts. The choices of colors and shapes often have absolutely nothing to do with the music videos, album artworks, or the artists themselves–it seems instinctual for me.

From doing this process over a number of years, I’ve discovered that hard rock, metal, or generally angry songs usually lead to harder lines, violent streaks of bright or vivid color, and harsh delineations of visual space in the resulting layout. By contrast, Celtic, New Age, or generally peaceful songs leads to soft gradients, less delineation of space on the layout, and more pastel/muted colors. Love songs of any type have almost invariably led to monochromatic designs with soft lines and yet defined content/sidebar/menu spaces on the layouts.

This is likely a result of the emotional content of each song as I experience it. But what about your own experience?

Try It For Yourself!

  1. Pick a song, any song, from your music library, and start playing it. You’ll likely want to set it on repeat for this exercise.
  2. Open your favorite graphics creation program (mine is Photoshop).
  3. Immerse yourself in the music. What colors and shapes would you associate with what you’re hearing? Does that funky guitar riff sound like a series of stretched-out triangles looks? What about that lovely glissando on the harp? Does it remind you of ripples in a pond? Let your imagination stretch out on this, and go with whatever comes to mind–don’t try to control the result too much at this stage.
  4. Whenever you’re ready, choose some colors and start creating. Anything goes at this point–remember, if you don’t like it or it doesn’t fit your vision, there’s always an Undo button!
  5. Once you’re satisfied with it or finished with it, whichever comes first, save your work.

Can’t Use It Yet? Don’t Worry!

You may never use this created image for anything–but on the other hand, it might become the basis for your next web design, or it might inspire you to create a totally new image a few months from now. If you can’t use your created image for your current project, save it for inspiration later!

Keyboard Musing

keyboardmusing
Learning to play piano, for me, came entwined with the desire to create my own music, which I often began to write while just “playing around” (pardon the pun) on the keyboard. I call this “keyboard musing”…just playing a snatch of a song here, a few bars of a melody or bass line here, until BAM!–there’s a new melody or chord progression, and my brain is off to the musical races!

If you’re a beginner to piano, or if you’re a frustrated composer, I would highly suggest doing a bit of keyboard musing for yourself. There’s a whole lot of wonder and magic still left in music, and this process proves it!

Keyboard Musing, Step 0: Don’t Try to Be Perfect. SERIOUSLY.

I have heard fellow composers often say that they’re stuck on a piece of music, saying that all that they play sounds “trite,” “overused,” “not good enough,” and doesn’t “flow.” For that matter, I’ve thought those same things myself about my own music.

Keyboard musing fixes that. After all, there’s no “right or wrong” way to play around on a keyboard when you’re not going by any sheet music! Before you even get started musing on your keyboard, don’t constrain yourself to what sounds “good,” or what sounds “original.” Just play SOMETHING. Play a few measures of a favorite song for inspiration; poke around playing notes together until you run across something that sounds COOL. Then, allow yourself to go further, exploring deeper into the melody or chord progressions you’re enjoying.

Step 1: Play Along with Recorded Music to Get You Started

This is a trick I use when trying to learn new music, but this is a great way to help you recreate a favorite melody, too. Listen to a favorite song using a CD, MP3, Youtube/Spotify/Pandora, etc., and figure out what note the melody starts on…and your ear should be able to take you on from there. Get the notes right first, then match the rhythms and tempo till you can play it pretty close to the recorded song.

The reason behind doing this? Once you know how to pick out the melody of various songs, then you’ll be better equipped to pick out the melody that’s been bouncing around in your head!

Step 2: Try New Variations on an Old Familiar Melody

Now that you know how to play a favorite melody like it was originally written, try varying it up. Extend that short note out a little longer, or put in a little playful riff here and there–innovate and see what new creation you can make. Allow yourself the freedom to play in a musical sandbox.

I suggest this not to condone plagiarism, but to give your imagination a jumping-off point. Put that favorite melody through some permutations, find new chords to put with it, and eventually you will be inspired to create your own song!

Step 3: Keep Trying if You Come Up with Nothing the First Time

You may not come up with anything on your first keyboard-musing session–but then again, you might come up with something AWESOME! Allow yourself more chances to dig down into your imagination, even if nothing appeared the last time you tried.

Step 4: Listen for Inspiration in Weird Places

Especially if you’re stuck and feel like you have no “inner song,” allow your environment to inspire you. Keep your ears open for beautiful new melodies, neat chord progressions, etc., wherever you go. Sometimes even non-musical sounds like car engine roars, bird chirps, refrigerator hums, crowds of people talking, fan blades, etc. can inspire a new tune. (Don’t look at your screen like that, I’m not crazy! LOL)

When you hear inspiring sounds, try to record them if you can, or at least get to your keyboard as quick as you can. Then, try to replicate the sound you heard with the musical notes in front of you. It might feel a bit stupid at first, but don’t give up on it, even if you have to walk away from your keyboard and try again later!

Summary

Keyboard musing is a magical retreat for me, a way I can reconnect with the sheer joy of just playing music for music’s sake. If you’ve never tried music, or if you’ve found yourself stuck for a long time, just give this a shot. You might be surprised what you come up with!

Unsolved Philosophical Problems, Huge Techscape, Toddler Frat Party, and WobZip

unsolvedphilosophicalproble
Unsolved Problems in Philosophy
Bored with the Internet? Nothing to do? How about pondering some of the eternal philosophical questions, handily gathered for you on this Wiki? Topics ranging from art to ethics, from language to mathematics, and beyond. Food for thought, indeed! 😀

HUGE Fantastic Landscape/Techscape
This is just EPIC. Pardon me, I need to pick up my jaw from the basement…

Why Having a Toddler is like Being at a Frat Party
…You may never look at your toddler quite the same way again. (Warning: swallow the mouthful of drink you have before you read this, otherwise it WILL end up all over your monitor screen. LOL!!)

WobZip
Ever had a compressed file that you couldn’t extract because your computer didn’t recognize the file type? Well, if it’s under 100MB, use WobZip to uncompress it! Supports a lot of the more obscure compressed filetypes out there, too! (Who knew there were compression filetypes beyond .zip? *cough* ignorant Windows user *cough*)

Strategy Porting, part 3: Playing by Proxy

strategyporting3
As part 1 and part 2 of this gaming strategy series will attest, I’ve been trying to “port” in a strategy from the Yu-Gi-Oh! trading card game to Magic: the Gathering. This has not been an easy process, but I’m continuing to work on finding matching cards and strategies that will work within M:TG’s color wheel of White, Blue, Red, Black, and Green.

If you’re following this process, you inevitably reach a point where you know generally what you want in the deck and you’re ready for a test run. But before you start buying or trading for actual physical cards, you need to make sure the items you’re getting will actually end up in the deck. That’s why I suggest the following practice of proxying your deck-in-progress.

Testing Your Strategies with Proxies

Okay, okay, I know, “proxy” is a bad word to most “serious” (read: competitive) Magic players. But for those of us who don’t win Standard tournaments (and/or buy lots of cards) on a regular basis, using proxies can be remarkably effective at building and testing new decks. It lets you test the strategies first to see if they even work for your deck!

Paper Proxies

hedroncrab_proxy At their most low-tech, proxies can be as simple as cutting up a sheet of paper to make small slips that you can write the card name and effect on, like my craptastic Hedron Crab proxy at left. Paper-proxied decks (decks with paper copies of cards, whether it’s printed out or written out by hand) are generally not allowed in tournaments, but they are great for testing out your new deck in a casual setting.

(WARNING: don’t ever print high-quality proxies and try to sell them as the real card–you will definitely end up with mad customers, and possibly the game designers could sue you! I use proxies strictly for deck testing, and trust me, nobody wants my quick-made, scrawled-handwriting paper proxies. XD)

Virtual Proxies

If you don’t want to go the paper-and-pen route with your proxies, you can also build a virtual deck on a service like LackeyCCG, which is a free program you can use to build decks and test against a “dummy player,” or even a real online player if you wish. (Be warned, it’s a jungle of occasionally mean competitive players out there!)

This kind of service is pretty good, but I still prefer to test my decks in real life against another player. If you like to speed-test your decks more and prefer not to use a deck until you’ve thoroughly tested it, however, LackeyCCG and its ilk could be just right for you.

Summary

Proxying is a great way to try out cards without having to invest the money in them just yet, which is key for porting in an old strategy to a new game. Give it a try, and see how this can help you create your new-old deck!

What Exactly Jesus Did for Us

whatjesusdidforus
Mark 15:21-38
21 A certain man from Cyrene, Simon, the father of Alexander and Rufus, was passing by on his way in from the country, and they forced him to carry the cross. 22 They brought Jesus to the place called Golgotha (which means “the place of the skull”). 23 Then they offered him wine mixed with myrrh, but he did not take it. 24 And they crucified him. Dividing up his clothes, they cast lots to see what each would get.

25 It was nine in the morning when they crucified him. 26 The written notice of the charge against him read: THE KING OF THE JEWS. 27 They crucified two rebels with him, one on his right and one on his left. [no verse 28] 29 Those who passed by hurled insults at him, shaking their heads and saying, “So! You who are going to destroy the temple and build it in three days, 30 come down from the cross and save yourself!” 31 In the same way the chief priests and the teachers of the law mocked him among themselves. “He saved others,” they said, “but he can’t save himself! 32 Let this Messiah, this king of Israel, come down now from the cross, that we may see and believe.” Those crucified with him also heaped insults on him.

33 At noon, darkness came over the whole land until three in the afternoon. 34 And at three in the afternoon Jesus cried out in a loud voice, “Eloi, Eloi, lema sabachthani?” (which means “My God, my God, why have you forsaken me?”). 35 When some of those standing near heard this, they said, “Listen, he’s calling Elijah.” 36 Someone ran, filled a sponge with wine vinegar, put it on a staff, and offered it to Jesus to drink. “Now leave him alone. Let’s see if Elijah comes to take him down,” he said.

37 With a loud cry, Jesus breathed his last. 38 The curtain of the temple was torn in two from top to bottom.

What The Crucifixion Meant for Us

Most people–even some Christians–do not often think about what exactly the Crucifixion and the death of Jesus did for us. While this passage is stark and disturbing, it was a necessary part of salvation.

Jesus as the Final, Everlasting Sin Offering

For centuries, the Hebrews had been following Mosaic Law, the Law taken down by Moses which was God’s will for his people, and that Law included almost daily offerings of animals and produce to be presented to God as thanks and as atonement for sin in their lives.

But when Jesus was crucified, He took on the sins of humanity, all the pain and rage and death and lost-ness, and offered His life as a final, everlasting sin offering to reconcile God and His people. Jesus’ sacrifice made sin offerings unnecessary for salvation–instead, belief in Jesus as Savior was now the path to salvation.

Jesus as Bridge Between God and Humanity

There had also been a distinct separation between God and His people before Jesus came–God could only be spoken to through the aid of priests (descending from Aaron, Moses’ brother), and He existed among His people in the Holy of Holies, a special place designated within the temple to hold the Ark of the Covenant. No human was supposed to intrude in this space, and it was usually sectioned off with curtains.

But when Jesus died on the cross, Mark notes that in the temple, the curtain separating the Holy of Holies from the rest of the space was torn asunder. This symbolized that God was now open and willing to hear from His people directly. No longer did they have to talk to someone else on earth to get a message to God–they could “instant-message” Him whenever and however they wanted to, just by praying.

Very Few People Understood This at the Time

The purpose of Jesus’ crucifixion, death, and later resurrection was misunderstood even at the moment it happened, however. The people who crucified Him did not believe His claims of being the Son of God, reasoning that if Jesus was indeed the Son of God, then He would not let Himself be crucified–He could just come on down whenever He wanted. They did not understand how lost they were, what Jesus’ death would mean for them, and what God’s plan for the whole world was. They were so confused that they even thought Jesus was crying out for Elijah at the end, and waited to see if Elijah would indeed come to take Jesus away. They did not understand that Jesus was crying out to God, feeling separated from God by the weight of all the sin He was taking on, and they certainly didn’t imagine that this was a temporary situation.

What This Means for Us

Jesus performed a massive act of forgiveness and selflessness, a gift meant for each of us, ready for us to accept. He took on all the sin that would have normally doomed us to never hear from God again, and took it to the grave with him, effectively deleting it from our lives. (He returned from the grave, however, unlike our sins.)

This is what makes Jesus such a powerful figure in the lives of all Christians–to think that a loving God would do something so drastic, just to have contact with us again, is awe-inspiring. Our sin was something God knew He couldn’t stand, but He didn’t need all the sacrifices and sin offerings anymore. He wanted an uncluttered relationship with each of us, and through Jesus’ sacrifice, we can each have that.

Perfect Little Moments

perfectlittlemoments
As a break from the weightier Tuesday on the Soapbox posts of the last few weeks, I give you this poetic entry as food for thought…all the perfect little moments we live through every day, but rarely take time to really experience. Hope you enjoy the ones I’ve listed here from my own life, and I also hope it makes you think of some of your own perfect little moments in your life, too.

  • Driving down the highway, windows down and music turned up, with a bunch of best friends.
  • The faint, pleasant chill of early morning coming in through open windows, as you lie in bed, perfectly snuggled up in covers, perfectly aware that it’s your day off and you can sleep in.
  • Stepping out from a dreary building into a rain-washed world, where even the sky looks bluer and the sunlight seems cleaner.
  • Finding the cool spot on the pillow.
  • Bare feet on a gently sun-warmed wooden porch.
  • An honest, much-needed conversation over hot chocolate on a chilly day.
  • Being the only driver on the road as far as you can see, both ahead of you and in your rearview mirror. (Perfect time for serious, out-loud contemplation, or enthusiastic singing along to the radio)
  • Watching dawn or dusk creep across a quiet, rural landscape…soft light and shadow playing across the streets and into the fields and forests, colors of leaves and branches shifting in the changing light.
  • Coming into an air-conditioned building from the sweltering heat and humidity of high summer–like diving into a pool without getting wet.
  • Putting on still-warm-from-the-dryer underwear.
  • When the knot of traffic ahead finally eases and you can speed up at last.
  • Bowing your head to pray, and feeling all the worry and hurt ripple out of you as you honestly talk to God.

The Lowly Transparent Shim

transparentshim
You probably read this post title and thought, “Shim? What’s that? And why is it transparent?” Well, in the days before CSS padding and margins, transparent shims were a godsend to webdesigners…but they can still help out our modern pages! Read on to find out how!

A Little Shim History

Transparent shims borrow their name from their wooden companions in the carpentry and construction businesses. These thin wooden pieces, often made from scrap wood or plywood, can be used to fill awkward gaps or spaces, help separate a couple of pieces of material, or make something fit more snugly and more level.

In webdesign circa the mid-2000s, a “transparent shim” image was about the only way to precisely position elements on your page. For instance, need an extra 30 pixels of horizontal space between your HTML form’s label and its text entry box? Then you’d just put in a little image tag linking to your shim image between the form label and text entry box, like so:

<img src=”shim.gif” width=”30″ height=”1″>

Or, if you needed more vertical space between your header image and your content, you’d put a little image tag like this between header and content:

<img src=”shim.gif” width=”1″ height=”50″>

Because this image was transparent, it could be stretched to any dimensions using the width and height measurements without the layout looking strangely colored. And, because it started out as a 1px-by-1px GIF file, it loaded quickly and didn’t clutter up slower connections.

These Days: Less Shim, More Padding

With the advent of easier-to-code CSS padding and margins, however, transparent shims have been less and less needed. No more need to call for that shim 50 or 60 times in a page when a couple of well-coded properties in a stylesheet can handle it all, right?

…Well, MOSTLY. There are a couple of instances where transparent shims can still help out:

Shim Situation #1: CSS Padding Rendering Differently Between Browsers

Sometimes Internet Explorer, Firefox, and Chrome will disagree on how to interpret CSS style rules such as “margin: 3px;” or “padding: 1px 10px 1px 10px;”. (CSS box model problems with IE, specifically, have been widely documented for several years.)

Shim Situation #2: Disobedient Layout Elements

Sometimes, an element on the page just will NOT position itself where you want it, and no amount of finagling, debugging, pleading, or shaking your fist at the screen will fix it. Whether text isn’t wrapping like it should, or whether some floated element is somehow “un-floating” itself, display bugs can ruin your webdesign day.

Enter the transparent shim; they act as little peacemakers, going across platforms, being equally accessible and understandable. All you have to do is put in that little image tag wherever you need it, and work with the pixel measurements to your heart’s content.

How to Make a Transparent Shim

  1. First, open an image program that can make images as well as edit them, and that can make images transparent. Adobe Photoshop Elements is the program I use; Microsoft Paint won’t do it, and neither will most really basic photo editors. Free applications that can make transparent images include GIMP and Pixlr.
  2. Choose to create a new image rather than edit an existing one, and make sure its width and height are both 1 pixel. Also, choose the “Transparent Background” option (could be in a dropdown list or a checkbox).
  3. Once you’ve created the image, save it as a transparent GIF or PNG-24 file. (JPEG format doesn’t recognize transparency.) Make sure you click the option to save it as a transparent file, otherwise it will just render as white. (For instance, Photoshop Elements has the “Save for Web…” option, in which you click a little checkbox reading “Transparency” underneath the file format option box. Your image program may be different–check every option before you click “Save!”)
  4. You should be done! To test transparency, load your new image, sized at 50 pixels by 50 pixels, on a basic black-background web page. If no 50×50 white block shows up at the top left corner, your image is indeed transparent!

Summary

Transparent shims are relatively easy to make and work with. If you have an awkward form width, an odd spacing, or even a fairly okay layout that needs just a little adjustment, try placing a shim, and see how heroic 1px by 1px images can be!

“But I’m Not Good Enough to be an Artist”

butimnotgoodenough
Okay, first of all, I want to refute the statement in my title. When someone says “But I’m not good enough to be an artist,” I want to say back, “Who says??”

Breaking the Art/Artist Stereotype

For too long, art has been given this elevated, almost holier-than-anything status in our culture. And people we call “artists,” stereotypically speaking, are people who dress in “artsy”-looking clothes (all black and berets are the cliche), who claim that no one understands their art, who seem to be just a little bit unhinged at times, who rarely go out into the world so as not to disturb their “creative process.” Right?

NOPE. Artists are everywhere, talented in many different art forms, and they are not all intensely focused people, or all hoity-toity about their art. And art can be found in all parts of life. In fact, Grandma’s herb garden is just as much an art form as any painting or dance performance.

Art is Everywhere

Our whole culture is full of art. Art is self-expression, not just talent in a particular subject that seems “artsy.”

It pains me to say this, being a math-phobe as I am, but even math has artistic qualities–ever heard of fractal geometry, for instance? And even the symmetry of a perfectly-solved equation has beauty in it (even though I might have no idea how in the world it got solved that way). People who create beauty in their worlds are artists, whether they are organizing the clutter out of your apartment or rescuing your workplace’s database from certain cyber-doom.

Art is Approachable

Art does not have to be created in a vacuum void of anything except your own thoughts. In fact, art can be created as a result of human interaction, even as a result of crowds of people. The susurrus of many people talking can sound like a bumblebee’s whirring wings, which might just put you in mind of “Flight of the Bumblebee,” and inspire you to create something based on that, for instance.

You also don’t have to be a particular kind of “focused person” to create art. Sometimes, the random doodles you make on a paper napkin could be inspiration for a design you end up using in your home office, for instance. Art is everyday and yet it transcends the everyday. I like to think art just makes regular life a little bit spiffier. ^_^

Art Can Be Done by Anybody

You can become an artist even if you don’t think of yourself as creative. Anything you do well, whether at your job, at home, or out and about, can be art. Shopping can be an art. Fixing computers or cars can be an art. Whatever you do that you have great instincts for and a large amount of technical knowledge of, you can transform that into art by lending your passion for it into every action and thought. If it expresses who you are (like if your ability to organize and save money lends itself to shopping on a budget), that is part of your art.

And you don’t have to have just one type of art in your life, either–I am expressed by many different kinds of art, from songwriting to blogging, from beading to web designing, and on beyond.

Try a Little Art for Yourself

Even if you don’t think you’re creative, even if you think art is for elementary school kids, how about trying some of the artistic pursuits available to you? The following list is a starter list, but feel free to come up with your own!

  • Jewelry designing (beading, etc.)
  • Painting and modeling gaming pieces
  • Fabric crafting (sewing, fabric painting, etc.)
  • Woodworking
  • Painting
  • Gardening
  • Drawing/sketching
  • Interior designing
  • Acting
  • Cooking
  • Car detailing/finishing
  • Composing poetry
  • Couponing (just not the “extreme,” lawbreaking kind)
  • Short story writing
  • Organizing
  • Computer building
  • Novel writing
  • Web designing
  • Dancing (ballet, modern dance, etc.)

Common First-Aid Mistakes, Guidelines for Cats, GamingAngels, and WikiSpaces

commonfirstaidmistakes
8 Common First-Aid Mistakes and Myths that Make Things Worse
Think you know what to do in case of a nosebleed, a burn, a snakebite, etc.? Actually, you might not–check this list for some surprising common first-aid fixes that aren’t really fixes at all.

Guidelines for Cats
I think all my cats have consulted this (hilarious) list of feline behaviors and activities… XD

GamingAngels.com
A great online resource for girl gamers, whether you’ve been playing since the Atari or completely new to it all.

WikiSpaces
Create your own free wiki page with WikiSpaces! Great for social groups–anybody can add and edit pages, so no one person’s stuck doing all the content for your group.

Strategy Porting, part 2: The Card Hunt

strategyporting2
In my introductory post about strategy porting, I talked about wanting to port one of my old Yu-Gi-Oh! decks into Magic: the Gathering–specifically, I wanted to recreate a very control-based deck that worked around getting a bunch of Flip-Effect monsters into the graveyard so that Shadow Ghoul and Chaos Necromancer could be bigger attackers.

This has proven to be much harder than it first seemed. 😛

Problem #1: No Flip-Effect Creatures in Magic

The Morph mechanic does exist in M:TG, but for what I want the creatures to do, there’s not really any Morph cards that do the effects for any kind of reasonable cost. Plus, the ability of Flip-Effect monsters in Yu-Gi-Oh! to block an attack and THEN have an effect go off is hard to replicate in Magic anyway.

Problem #2: No One Color Does It All

If you want “destroy creatures” and “sacrifice creatures” effects, you look to Black. If you want “return creatures to owner’s hand” and “mill top four or five cards,” you look to Blue. If you want “sacrifice this creature to gain a bunch of life,” you look to White. See where I’m going with this?

With Yu-Gi-Oh!, you don’t have to worry about being able to play your creatures with specific colors of mana. This enables you to have a toolbox-style deck like the one I’ve assembled. But with Magic, if I want to have a deck that is able to play what it needs to play, I have to make sure I’m not running a crazy five-color deck where I’ll never get the amounts of mana I need.

Problem #3: Might Not End Up Being the Same Kind of Deck

While the surprise effects of a Flip-Effect monster in Yu-Gi-Oh is almost impossible to match in Magic, there is something that does match the surprise factor: instants. Casting an instant in response to another player’s attack can give the same net effect as a Flip-Effect monster.

However, if I start building the deck with all instants and sorceries instead of creatures, the strategy won’t be quite the same. No longer will I be able to amass a creature-filled graveyard and mow down people with the Magic equivalent of Chaos Necromancer, Mortivore. Instead, it will be almost a creatureless deck…not exactly what I intended.

Some Light at the End of the Tunnel

I agree, there are problems with porting a strategy…but there is hope. Going through the card database available on Gatherer, I was able to find at least some cards that matched up to what I’d like to replicate from my old deck. A partial list appears below, sticking to Blue and Black as the main colors of the deck:

Creature-Destroying Creatures

  • Blind Zealot
  • Shriekmaw
  • Necrite
  • Wall of Corpses

Creature-Destroying Spells

  • Bone Splinters
  • Chainer’s Edict
  • Witch’s Mist
  • Wretched Banquet

Creature-Bouncing Creatures

  • AEther Adept
  • Barrin, Master Wizard
  • Man-O’-War
  • Waterfront Bouncer

Creature-Bouncing Spells

  • AEther Spellbomb
  • Peel from Reality
  • Unsummon
  • Seal of Removal

Card-Milling Creatures

  • Hedron Crab
  • Cathartic Adept
  • Merfolk Mesmerist
  • Riddlekeeper

Card-Milling Spells

  • Brain Freeze
  • Vision Charm
  • Horrifying Revelation
  • Memory Sluice

Damage-Preventing Creatures

  • Fog Bank
  • Cephalid Illusionist

Damage-Preventing Spells

  • Darkness

Life-Loss/Direct Damage Creatures

  • Bile Urchin
  • Death Cultist
  • Blightspeaker
  • Cabal Archon

Life-Loss/Direct Damage Spells

  • Ebony Charm
  • Geth’s Verdict
  • Misery Charm
  • Hideous End

Card-Drawing Creatures

  • Sage of Epityr
  • Hapless Researcher
  • Drowned Rusalka
  • Alchemist’s Apprentice

Card-Drawing Spells

  • Accumulated Knowledge
  • Brainstorm
  • Visions of Beyond
  • Thought Scour

Life-Gaining Creatures

  • Deathgreeter
  • Child of Night
  • Vampire Nighthawk
  • Gutless Ghoul

Life-Gaining Spells

  • Douse in Gloom
  • Plunge into Darkness
  • Devour Flesh
  • Crypt Incursion

How to Do a Search Like This for Yourself

  • Search out the abilities you need, narrowing the focus by colors, then type of card.
  • If you’re trying to build within a certain format (such as Standard, keep set printings in mind as you search.
  • Be open to new ways to include an effect (such as finding life-gain in Black rather than White).

On to Part 3: Playing by Proxy!